3.브람스/바이올린 협주곡Op.77/지네트 느뵈[바이올린]/로제 데소르미에르Roser Desormiere[지]/프랑스 국립 방송 악단40'10



Roger Desormiere. Born: 1898 - Died: 1963



지금 음악세계 애청자 Mr. Doctor가 인터넷 방송 하고 있는데...

들으면서 인터넷을 찾아 보았습니다.

음악세계 젊은이들은 클래식 음악에도 상당한 취미가 있거든요?

메신저를 통해서 이것 저것 이야기 나누다보면

거의다 명연주 애청자들이랍니다.

오늘의 주제는 베를린 필의 상임주자로 젊은 사이먼 베틀이 선정되었다는 것 때문에

다니엘 바렌보임 그 차가운 성격의 사람이

심경이 몹시 불편했겠다는 이야기들을 나누었어요.







Violin Concerto in D major, Op. 77
Composé par Johannes Brahms
Interprété par Philharmonia Orchestra
Avec Ginette Neveu
Dirigé par Issay Alexandrovich Dobroven







Violinkonzerte op. 77 / op. 47
Ginette Neveu
Johannes Brahms / Jean Sibelius
Issay Dobrowen / Walter Süsskind
25.11.1987





Ginette Neveu: Hommage - BEETHOVEN: Violin Concerto in D Major, Op. 61 (2 perfs.)/BRAHMS: Violin Concerto in D Major, Op. 77; Violin Sonata No. 3 in D Minor, Op. 108/Two Interviews

Jean Neveu, piano
Hans Rosbaud conducts SWDR Orchestra, 1949
Willem van Otterloo conducts Radio Filharmonie Orkest, 1949
Roger Desormiere conducts ORTF Orchestra, 1948 (Brahms)




Any addition to the small but rewarding legacy of violinist Ginette Neveu (1919-1949) is important. This burgeoning star of the violindied in a plane crash, along with her gifted brother, Jean. A pupil of Carl Flesch, Ginette Neveu astounded the judges at the 1935 Wieniawski Competition, taking top prize in the face of 180 candidates, including David Oistrakh. Though her earliest inscriptions were done in Berlin, her fame rests on a handful of recordings she made for EMI, especially in the violin concertos Brahms (with Dobrowen) and Sibelius (with Susskind). She toured extensively in her brief career, with sojourns to Amsterdam to play with Mengelberg, to New York to play with Munch, Koussevitzky and Ormandy, to Australia, and to Edinburgh, where she favored Barbirolli with performances of her favorite, Sibelius.

It is not easy to define Neveu's style, but it ranks high among the French patricians, like Renardy and Grumiaux, but it is more introspective than Grumiaux's approach, though it has a similar, nasal tone and piercing attacks. Her drive and forward tenacity remind me of Milstein. Her cadenza (try the one with Otterloo in a soaring reading despite swishy acetates) for the Beethoven seems to be hers, and it is rife with double-stops and rapid alternation of bowing styles. In fact, this particular cadenza soon becomes a Paganini etude displaying several degrees of tremolando and detache chords! The musicality is so spontaneous, one can see why she swept competitors away. The chance to hear another under-rated musician, Roger Desormiere (1898-1963), in the Brahms Concerto only compounds the urge to possess this extraordinary set. The Rosbaud Beethoven has already been cycled on CD via Music & Arts, coupled with readings of Chausson and Ravel under Munch. It is a powerhouse Beethoven as well. The Brahms Sonata, a favorite of Heifetz and of Szigeti, has a fine peer with this brother and sister, recorded September, 1949. I would place this reading alongside of the Menuhins for intimacy and grace, for sympathetic partnership in music. And to hear Neveu speak on her career and her repertory is to be reminded that long before Women's Lib, there was Ginette Neveu.

--Gary Lemco



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